Screen 1. Re-sculpt your bass guitar recordings with DI simulation, frew effects and part doubling in Logic Pro X. One of the most basic techniques for creating a bass tone is to blend the sound of bss bass guitar through an amplifier with the direct sound. On your bass guitar track open the Bass Amp Designer plug-in and click the Direct Box button to bring up the editor for the Direct Box section Screen 1, above. The interface is very simple.

The Tone control selects prk six preset EQ curves which can be applied to the incoming bass guitar signal, whilst the HF Cut button gently rolls off the top end to remove noise. Experiment with the different Logkc options and, once you have achieved a satisfying DI sound, use the mising between the Amp and Direct Box buttons to blend these tones together. One way to think about the layering process is to first fre whether the DI or the Amp represents the main qualities of the sound you are going for.

Once that decision has been made then blend in the element you feel is missing. If the DI is the main part of the sound you want but it lacks a bit of top end, then use a bright amp tone and blend a little of this into the DI to brighten the overall bass tone.

To increase your processing options for each element, ,ixing may prefer to have the DI and Amp simulation on two separate tracks. You can now blend them as two channels using the channel volume controls. The main benefit of creating two tracks is that you now basa more freedom to EQ the Amp and DI mixing bass logic pro x free independently using regular insert plug-ins.

If you want to simulate recording multiple bass cabinets then create three Bass Amp Designer tracks, one with an 8x10 cab for mid-range and top pto, one with a mixing bass logic pro x free cab for low end, and a separate track for the DI. The three tracks can then be equalised separately and summed through a Track Stack to give you control over the overall level and timbre. Before the age of computers running powerful DAWs, the duty of synthesizing extra bottom end would have been handled by a dbx subharmonic synthesiser rack mixing bass logic pro x free or by re-amping the bass through a thunderous speaker.

Logic has its own equivalent processor: the SubBass plug-in. The SubBass plug-in takes the incoming audio and then splits it into two identical parallel processors labelled High and Low. Screen 2. The SubBass plug-in can be used to add bottom end to a bass guitar recording, here I am using just the top band mixing bass logic pro x free add bottom end around the 85Hz region.

For what we are trying to accomplish we only need one band of processing, though. Mixing bass logic pro x free the Frequency Mix slider all the way up to to give just mixing bass logic pro x free High band. Pdo the bass enhancement processor to the frequency range you want mizing enhance. First mixing bass logic pro x free all, set the Ratio to 1, logoc set the bandwidth control to approximately half an octave. Next, go to the Centre control and sweep it from the lowest frequency upwards until you find the area you want to enhance.

If the area is too wide simply reduce the Bandwidth control Screen 2 and Audio Example 1. Now, add the dry signal back and adjust the amount of wet signal carefully. Too much bottom can make your bass guitar part sound weak and unbalanced on small speakers. For Audio Example 2, I have exaggerated the feee of processing to make this clearly audible.

Another use for the SubBass plug-in is to add bass below the fundamental frequency of the current note. A Ratio control setting of 2 makes the SubBass plug-in behave like an octave pedal synthesizing a note an octave beneath the note played Audio Example 3. This is more useful for special effects or where a bass line has been played an octave above its traditional register.

Chorus is another commonly used bass guitar effect. Chorus on a bass can add stereo width and miixng, which can help to make it stand out more in a mix. When applying chorus to a bass, we can leave the low end unprocessed to avoid any cancellation of frequencies in the bottom end. From the insert menu, add an mixing bass logic pro x free of Pedalboard and drag the Retro Chorus pedal from the prro onto the Pedalboard area. Hover your mouse above the pedals z the Mlxing now shows the routing area.

The top line represents the higher frequency band and the bottom line the lower mixing bass logic pro x free band. As we want to apply a chorus effect to the highest frequency band you need to drag the chorus object up onto the top line Screen 3. Screen 3. You can then apply a chorus logkc any other effect to just the mid and high frequencies. Go to the Mixer pedal this is automatically created when you drag in the Splitter and drag the slider up to the top, labelled B.

Adjust the Frequency knob on the Splitter mixing bass logic pro x free to set the amount of mid and high frequencies you want to run through the Chorus effect. Finally, blend the low band back in by bringing the Mixer slider back towards its mid-point Audio Example 4. Sometimes you may wish to achieve an extra lift between sections in a song, for example bbass the verse and chorus. One way to achieve this jixing is to thicken the bass guitar part by layering it with a synth bass Screen 4.

We can then use this to play a synth bass patch on a software instrument track. Screen 4. To do this, double-click on the bass audio region to bring up the Sample Editor.

Logic then analyses the note content mixng the region. This will create a new software instrument track with a MIDI region containing the notes from the bass part. Experiment by layering different synths mixkng your bass part Audio Example 5.

I think Retro Synth is the most mixing bass logic pro x free at sounding like basa classic bass guitar synth pedal. Try the Classic Analogue Bass preset as a starting point.

As you are auditioning bads you may need to alter the octave of the MIDI notes to play in the correct register. In the Inspector, go to the Region Parameter area and click on the Transpose parameter. From the drop-down, choose the appropriate octave transposition. In these two articles we have covered lots of processing options.

Once you have settled on the ones you are likely to reach for regularly, you may wish to simplify your workflow by assigning the key parameters of your bass mixing bass logic pro x free to Smart Controls. If you did this on a Track Stack you could easily control all of the things we have discussed with one simple set of Smart Controls. Download 25 MB.

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